Wait upon Series . Kuo I-Hsuan explores the art of cloisonné enamel, also known as "Japanese cloisonné," during her travels in Japan. This series reflects her dedication to perfecting her skills in depicting the art's delicate beauty. Utilizing ultra-thin silver wire, she crafts fine outlines that blend seamlessly into her artwork. This process, akin to weaving beautiful beliefs into both the artwork and her inner self, is deeply fulfilling for her. Continuing from her series that portrays landscapes of the heart, she delves into exploring inner spaces through window scenes. These scenes capture various symbolic landscapes, reflecting shifts in perspectives and moods.

Despite the challenges posed by the prolonged pandemic, Kuo I-Hsuan found it to be a period of rest and rejuvenation. This experience is encapsulated in her artwork, which portrays the poetic songs of love that resonated within her heart during times of prayer and quiet reflection. As cloisonné glazes cannot be adjusted in colour, finding the appropriate hues presented a challenge. She developed a colour palette centered around sky blue tones, creating a matte texture that evokes a sense of soothing and healing. This meticulous approach to color and texture further enhances the emotional and aesthetic depth of her work.

Landscape Series . "In early 2020, Artist Kuo I-Hsuan’s traveling and creating art in Japan. However, as the COVID-19 pandemic began to spread, there were days when she couldn't access my studio equipment. During those times, she resorted to sketching in her room, much like many others in quarantine, gazing longingly through the only window that connected me to the outside world, eagerly anticipating the return of peace and freedom.

"Observing the scenery outside that window became a newfound pleasure for her, offering solace during moments of solitude. Kanazawa, being a rainy city by the sea, often presented a sky painted in shades of gray and white. Yet, this also meant witnessing mesmerizing phenomena like rainbows, beautiful sunsets, and twilight. She used enamel painting to capture the vibrant hues of the sky—reds, pinks, purples—symbolizing a sense of hope. Additionally, She intricately wove silver threads into patterns reminiscent of Taiwan's iron grilles, a nod to her fond memories of home."